Less than half the price of Nikon’s top-flight Z 24-70mm f/2.8 lens, this one is much more compact and lightweight. As well as having a retractable design for compact stowage, the glass elements towards the front of the lens naturally have a smaller diameter, the trade-off being that the f/4 aperture rating transmits less light and doesn’t allow for such a tight depth of field. PS – if you’re interested in the other Z lenses in Nikon’s line-up check out our in-depth reviews: Nikon Z 24-70mm f2.8 S review / Nikon Z 24-70mm f4 S review / Nikon Z 35mm f1.8 S review / Nikon Z 50mm f1.8 S review / Nikon Z 85mm f1.8 S review.. Facts from the catalog Just about the only thing missing would be a focus distance indicator, something that no other mirrorless 24-70mm f/2.8’s have except the Nikon Z-mount 24-70mm f/2.8 S, with its controversial all-electronic display window, or of course, the L-mount Panasonic 24-70mm f/2.8, which actually has physical focus markings. (Although, honestly, we The Nikon Z 24-70mm f/2.8 S reaches up to 2.93% distortion, also pincushion at 70mm. Meanwhile, the Nikon Z 24-120mm f/4 S has 5.01% barrel distortion at its highest, which is at 24mm. Finally, the Nikon Z 24-200mm f/4-6.3 leads the pack (and not in a good way) with 5.82% barrel distortion at 24mm. Nikon Z 28-75mm f/2.8 Review: An Affordable Alternative to a 24-70mm Sigma to Reveal 35mm f/1.2, 45mm f/2.8 and 14-24mm f/2.8 Next Week Nikon’s 24-70mm f/2.8 Z-Mount Lens is ‘The New Benchmark The Nikon Z 50mm f1.8 S is a standard prime lens for Nikon’s full-frame Z-series mirrorless cameras. A popular focal length for street photography and general-purpose use, it features an f1.8 focal ratio and joins the Z 24-70mm f4 S and the Z 35mm f1.8 S as the first Z-series lenses on the market. The Nikon Z 24-70mm f/2.8 S The Nikon Z 28-75mm f/2.8 Lens Image Quality 1. Vignetting. Vignetting is reasonable on both lenses, and actually favors the cheaper Z 28-75mm f/2.8 at most focal lengths and aperture by a slight amount! 2. Distortion. Both lenses have some meaningful barrel distortion at the wide end and pincushion distortion at the NIKON Z 7 + NIKKOR Z 24-70mm f/4 S @ 70mm, ISO 1600, 1/8, f/4.0. NIKON Z 7 + 70-200mm f/4 @ 110mm, ISO 64, 1/60, f/8.0. More image samples of this lens can be seen on Nasim’s review of the Nikon Z7 camera. ZZR0.

nikon z 24 70mm f2 8 s review